Sovereign Hazelnut

Sovereign Hazelnut

Oil on canvas, 20″ x 16″

Sovereign Hazelnut

 

One day in late Summer, while wandering deep in the forest,
I came upon a small sheltered hollow with this Hazelnut bush nestled within it,
beautifully expressing herself in the form of an elegant, life-affirming, Fleur-de-Lys. 

I heard her call out “Paint me!” loud and clear. And so I have answered the call.

It was her exuberance that first caught my attention, as she bursts forth with gusto from the understory.
Then as I sat with her, in contemplation, wondering how best I might portray this delightful being who was asking so prettily to be immortalized in paint . . . I saw the Fleur-de-Lys shape that she is creating in her world,
and the painting took form in my mind.

Looking into the symbolism of the Fleur-de-Lys I learn that its origin is lost in the mists of time,
but it has primarily endured as signifying Sovereignty.
Sovereignty and Purity.
And in my perception of this noble Hazel, she radiates precisely that, as she stands proud,
deep within the forest on the mountainside, living her life on her own terms.
She seems to hold herself in high esteem; elegant mistress of her domain.

~~~~~

Hazel is associated with wisdom, inspiration and creativity in ancient Celtic lore. Intuition and divination are also listed as its attributes; the branches being used traditionally as divining rods for finding water. 
~~~

It’s the Beaked Hazelnut (Corylus cornuta) that grows here in the forests of Interior British Columbia, Canada. A many-stemmed shrub growing up to 12 feet high, they can live for over 50 years. Tiny red spiky flowers and long catkins are seen in the Spring. A multitude of hazelnuts (filberts) is produced in the Autumn, highly prized by squirrels.
~
First Nations peoples harvested the nuts, and used the strong, dense yet flexible wood for arrows, basketry, fencing and tool-making. 

Hello Darkness, My Old Friend

Hello Darkness, My Old Friend

Oil on canvas, 18″ x 14″

Hello Darkness, My Old Friend

 

What power there is in the vision of the sky above the forest in the night
~ the strong determination of the trees reaching for the night sky
~ the vast night sky beckoning them on.

An escape route to immense silent darkness:
rapt in the black velvet of the night I can gaze out,
and explore forever the extremities of my soul.

Leaving the relentless demanding light behind,
in the boundless dark I can expand into
the vastness of solitary safe comfort and
find my own infinite self.

~~~~~~

Let’s bring an appreciation of the dark back into our experience of life.

Darkness has been vilified in our culture.
Along with the feminine, and Nature, darkness has been made less-than,
feared and disparaged in our Western culture for thousands of years.

High time to change that ~ to bring humanity back to wholeness.

~~~

I had been wanting to play with the symbolism of a nine-pointed star,
and this provided the perfect opportunity.
Looking up, there it was, beckoning me upwards
and through it to travel the night sky.
Three—the number of divinity—times three, gives us nine
~ the sacred number of eternity, and wholeness.

~~~~~~

The trees seen here are mostly Ponderosa Pine (Pinus ponderosa),
which reach heights of 100 feet and live up to 600 years;
and Douglas Fir (Pseudotsuga menziesii var. glauca),
reaching heights of 115 feet and living up to 400 years.

 

Spiderweb

Spiderweb

Oil on canvas, 12″ x 16″

Spiderweb

 

With this painting I wanted to capture the aliveness, the abundance,

the luscious density of life in late Spring deep in the forest.

 

And at this time of year, as the branches fill out with their new leafy greenery, it seems I catch a spiderweb with every few steps as I wander the woods here.

Fascinating little beings, spiders and their webs.

In the mythology of cultures the world over, spiders are seen to weave the fabric of the universe, being personifications of the Great Mother goddess in both her creative and devouring aspects.

The Celts believe the web is the structure that holds all life together in its grand design.

Touch it anywhere and the vibration reverberates throughout the whole.

 

The shrubbery that we see here in the understory is mostly the Beaked Hazelnut (Corylus Cornuta), a many-stemmed shrub, growing 3- 12 feet tall, and producing an abundance of hazelnuts that the squirrels harvest and stash every year before I can ever have a chance to gather any!

 

Who Rides The Mists

Who Rides The Mists

Oil on canvas, 12″ x 24″ 

Who Rides The Mists

 

The title of this painting itself rode the mists to me. 

While wandering in a reverie through the soul-wrenching beauty of the misty mountains at dusk in the dark of the year,
the veils between the worlds thinned and I was swept up into the mystery. 

I heard the words “Who rides the mists” and this painting was conceived. 

As the mists transport me to an otherworld of bliss,
so the heavenly Swan signifies angelic grace and beauty. 

~~~

The wings in the painting are those of the Trumpeter Swan.
Ethereal creatures of Water and Air, the iconic Swan is said to straddle the worlds,
symbolizing the union of spirit and matter.
In Celtic culture they are believed to be the embodiment of celestial beings,
guiding angels of grace and freedom, who can open up otherworldly realms for us. 

. . .perhaps what you see in this painting is not a Swan at all, but rather an Angel 
. . . I leave it to you.

~~~~~

Trumpeter Swans overwinter in wetlands here in the Slocan Valley, much to the delight of residents and visitors alike. They are the largest waterfowl in North America, 6 feet long, weighing up to 25 pounds and with wingspans up to 10 feet. It is believed that they mate for life.

Huginn & Muninn

Huginn & Muninn

Oil on canvas, 18″ x 30″

HUGINN & MUNINN

Huginn (“memory”) and Muninn (“thought”) are two Raven helpers of the Norse god Odin. He sends them out from Valhalla every morning to travel the world, returning to him at the end of every day to sit on his shoulders and tell to him all the news from far and wide.
~~~

I greet this lively character every day — I call him “Curly Pine”— as he stands at the entrance to the forest where I walk. There is a great scraggly majesty about him and his wonderful curliness that delights me. 

Those magnificent swirls of his far reaching lower branches — one dead and frilled with lichen, the other old but still green with needles — winging out from the mysterious pools of darkness under and behind, are what have me so entranced.  

One day I stopped to contemplate him, and got to musing  …what if I were to paint him …how might I convey what I am seeing in him …and just what is it anyway that I do see in him?

And that’s when the Ravens came to me. In my mind’s eye out they came swooshing, with all the considerable drama they can muster, out from the deep dark depths under those great swooping low-flying boughs. Out into the world to gather up all the goings-on and report back at the end of the day.

~~~

I have painted a subtle hint of Viking Knot-work within the wings of the Ravens as a nod to Odin. Knot-work represents the unending journey of life and the interconnectedness of all existence.

The symbolism of Ravens is complicated and diverse. In Norse mythology they are prophetic messengers representing wisdom, transformation, and far sight. To North American First Nations peoples they are tricksters associated with the origins of all life.

Lodgepole Pine is a medium-sized, relatively short-lived conifer, widespread here in the Inland Temperate Rainforest of British Columbia, Canada. Important for re-populating areas burnt by wildfires; its cones only open and release their seeds after being burned. Its timber is valuable for building and furniture-making. The inner bark was a significant food for indigenous people, and they used its sap as a cough remedy.

Autumn Triquetra

Autumn Triquetra

Oil on canvas, 16″ x 20″

AUTUMN TRIQUETRA

 

This place, deep within the forest, makes itself known to me every Autumn when the deciduous Maple and Hazelnut trees emblazon a bright saffron splendour, set off by the rich dark greens of the surrounding conifers.

The gentle sweeps of their boughs brings to mind the beautiful triquetra symbol, a trinity of intertwined vesica pisces shapes that evince the power of three in an unending intertwining Celtic knot symbolizing the birth-life-death cycle, or body-mind-spirit, maiden-mother-crone, father-son-holy ghost — and the infinite interconnectedness of all things.

The threesome prevailing here in the forest in Autumn is past-present-future. More than any other season, it is Autumn that makes me think of the passage of time. The frenzy and fecundity of Spring and Summer is over, their fruits evident all ’round us; now is the time to revel in the glory of harvest gold; and look forward to the quiet rest of Winter on its way.

 

Grandfather Stump

Grandfather Stump

Oil on canvas  24″ x 18″

Grandfather Stump

Look at this gentle giant,

dead a hundred years ago or more

and still commanding such presence.

Ancient Cedar,

my Grandfather tree;

I often sit with him

and feel his calm wise influence.

Burnt and toppled,

worn away and hollowed out,

home to mosses and lichens,

fodder for woodpeckers . . . 

so many stories to tell.

First happening upon this enchanted clearing

where he stands,

guardian,

a tangible hush descended as I entered.

There were scratchings on the forest floor all ’round

and I sensed wolf

(can you find the wolf hidden in plain sight in the painitng?)

I had recently had an encounter with a lone wolf

not too far from this place,

when one burst from hiding in dense underbrush

and chased my dog all the way home,

leaving me standing with my mouth hanging open

and my heart pounding!

~

~Barbara Brown, from upcoming Volume II, SYLVAN REFLECTIONS book

Gateway

Gateway

Oil on canvas, 24″ x 12″

‘Gateway’

 

Let me set the scene for you:

It was a winter wonderland of a world;

with fresh snow falling daily

bringing down that deep silence of deep snow at the dead of winter,

when the stillness finally reaches my bones and settles me.

And it was here that two enchantments happened,

to bring about this painting.

The first was a visit from White Rabbit.

One night when the moon was full and the forecast was for yet more snow,

I was up late savouring the depths of the winter night,

snug in our cabin with the woodstove stoked keeping us warm.

On my way to bed I opened our front door onto the night,

to see if the snow had begun to fall.

And there, motionless in the middle of the path,

was a pure white Snowshoe Hare,

in the pure white snow, in the moonlit world,

with fresh snow drifting gently down.

I was spellbound.

 

The next morning, I too went out snowshoeing,

into the pure white cold silent wonder-wrapt forest.

The day was heavily overcast, the snow still wafting softly,

the forest deep in its winter slumber.

Venturing off the path, I wandered deeper into the woods,

seeking further immersion in the wild.

I came to a place, under towering snow-laden Fir and Hemlock,

that invited me to stop and sit a spell.

Bundled up and warm, I snuggled into a snowy embankment,

and closed my eyes, better to soak up the stillness. I even drifted off…

upon opening them, and seeing with fresh eyes the profound beauty surrounding me,

I gazed over to my left to behold the second enchantment, this Gothic Gateway.

Beckoning. Enticing. Summoning. Thrilling.

And by magic the vision of the painting came to me.

 

…I remembered what the dormouse said…

call Alice…

 

Dare to enter

~~~~~

This is the Inland Temperate Rainforest, Slocan Valley, SE British Columbia, Canada

~~~

~Barbara Brown, from upcoming Volume II, SYLVAN REFLECTIONS, Wanderings, Paintings & Ponderings From the Forest 

A Wide Open Winter Wander

A Wide Open Winter Wander

wideopenwinterwander

 Oil on Canvas 12″ X 24″

‘A Wide Open Winter Wander’

~~

This is the forest floor beneath the Cedar ‘Cathedral’ grove in my forest,
here in its deep winter slumber.

Its open nature draws me in; inviting freedom of movement and expansion of spirit.

Sense the clear columns rising high above.
Pristine snow adds to the spacious purity.

Follow the easy meandering path of the ribbon;
feel free to wander through this expansive open forest at your whim.

~~

The trees are Western Red Cedar (Thuja plicata), growing to 130 feet and living to 1,000 years.
Cedars symbolize purity, cleanliness, sublime and noble loftiness, and immortality.
They are portals to sacred realms, dwelling places of the gods.

There are also a few White, or Paper Birch (Betula papyrifera) here,
who can grow to 100 feet tall but seldom live past 140 years, being relatively fast-growing and short-lived.

 

Also considered a noble tree, the Birch is symbolic of new life, renewal and rebirth.

~~~

~Barbara Brown, from upcoming Volume II, SYLVAN REFLECTIONS, Wanderings, Paintings & Ponderings From the Forest 

 

Cedar Intimacy

Cedar Intimacy

cedarintimacy

Oil on Canvas 18″ X 14″

‘Cedar Intimacy’

~

This image captivated me in the forest.
First, up close and personal,
I fell in love with the pretty surface patterns that
those intense green twinkling cedar frond fingers make
as they reach for the sun at the edge of a clearing on the mountainside.
Playful with its offering of beauty, she revels in her aliveness.
Then …I am invited to travel deeper;
to delve into the dark forest beyond the surface,
and there to be welcomed into the inner sanctum depths with, again,
a twinkle of sunshine.

~

And, as happens so often in my work, the oval comes to me,
with its soft feminine welcoming geometry
to help me to convey the feeling inherent in this offering. 

~

These are Western Red Cedar (Thuja plicata)
here in the Inland Temperate Rainforest.
They grow to 130 feet tall and can live for 1,000 years.

Cedar helps us to heal emotional hurts;
and it is symbolic of the pure, the sublime and the sacred.

~

~Barbara Brown, from upcoming Volume II, SYLVAN REFLECTIONS, Wanderings, Paintings & Ponderings From the Forest 

Cottonwood Spray

Cottonwood Spray

Oil on Canvas 18″ X 14″

‘Cottonwood Spray’

~

This spray of Cottonwood sparkles out
from the wall of conifers it nestles within.
Flaring like a burst of fireworks.
Feel the joyful energy radiating outward, demanding our attention,
calling out to us to notice it,
to appreciate its beauty as it dances in the breeze
…“Look at me!”

This is a Black Cottonwood (Populus balsamifera ssp. trichocarpa)
which grows to 130 feet tall but rarely reaches 200 years old.
It is the fastest growing tree in this Inland Temperate Rainforest.

Its seeds produce cottony fluff which First Nations people used for bedding.
In the Spring its red buds are thick with sticky resin called ‘Balm of Gilead’
which gives off a heavenly scent and makes a wonderful healing salve for the skin.

Its wood makes high grade pulp for quality paper.

~~~

~Barbara Brown, from upcoming Volume II, SYLVAN REFLECTIONS, Wanderings, Paintings & Ponderings From the Forest 

Dance of the Seven Veils

Dance of the Seven Veils

Oil on Canvas 24″ X 20″

 ‘Dance of the Seven Veils’

~

Out walking, entranced and blissful through a brand new world of winter wonder
I came upon this graceful young Hemlock on the edge of the forest.
With her elegant drapery of freshly fallen snow I am instantly inspired to paint her,
and the words “Dance of the Seven Veils” appear in my mind’s eye.
Her substance hidden and her essence revealed somehow.

Returning home I do some research and find that,
in digging deeper, beneath and behind the more widely known biblical story
of Salome’s dance of seduction for the revenge upon John the Baptist,
is the older purer story of shedding the layers of ego,
of unveiling the true self hidden beneath.  
The seven veils of illusion, to be stripped away
to reveal the pure authentic essence that is at the heart of you.

Ancient mystics spoke of the Seven Veils of Mystical Experience:
Dream, Reason, Passion, Bliss, Courage, Compassion & Knowledge
based on the seven celestial bodies, themselves symbols of the soul.
The symbolism of the number seven is highly spiritual –deep inner knowing.
In Judaism and Christianity it is the number of completeness and perfection,
informed by God’s creation taking seven days.
In numerology a number seven person is said to be a lifelong seeker of spiritual truths.
It is a number that has fascinated us since the beginning of time
–7 deadly sins, 7 virtues, 7 chakras, 7 seas, wonders of the world,
colours in the rainbow, notes of the musical scale…
we have 7th heaven, lucky #7!
(by the way, feel free to count those seven veils in the painting in which-ever-way you so choose!)

What I see in the forest is her substance hidden and her essence revealed somehow…
with her pure white mantle, and her finery only glimpsed beneath.
Then as winter wanes and veils of snow melt away she will be revealed in all her finery
…graceful young beauty of a Western Hemlock dancing on the edge of the forest.

~

This is a Western Hemlock (Tsuga heterophylla), growing to 115 feet tall and
living up to 500 years here in the Inland Temperate Rainforest.

First Nations people used its boughs for bedding material and for its fresh scent.
Today it is valued for its high quality lumber.

~~~

~Barbara Brown, from upcoming Volume II, SYLVAN REFLECTIONS, Wanderings, Paintings & Ponderings From the Forest

Dancing Yew Sisters

Dancing Yew Sisters

Oil on Canvas 20″ X 30″

‘Dancing Yew Sisters’

~

This image had been simmering away in the back of my mind for years. Every day I walk by these two young Yew trees growing so gracefully (for often-so-straggly Yews!) down by the creek. They are about the same age and I feel sister energy between them. I imagine them sharing a long slow dance throughout the span of their long lives together straddling this little creek in the forest, and I’ve always envisioned an ethereal infinity figure-8 symbol swirling between them, enfolding them, and informing their essence and their relationship.

~

Looking deeper into Yew tree lore I find my instincts to be unerring, as Yew is known to be the Tree of Eternity. Remarkably, the Yew is singular in its ability to grow forever, endlessly renewing itself. It is one of the oldest known tree species on Earth, growing here virtually unchanged for at least 250 million years. It can change its sex as it needs to to propagate itself, or it can be both female and male at the same time. It has the uncanny ability to grow new shoots from seemingly dead branches, and drooping branches can root as they touch the ground. The word ‘Yew’ means ‘eternity’ or ‘to be touched by eternity’ or even, in ancient Gaelic, simply ‘God’.
Sacred to humans since the beginning of time, ancient Yews are to be found in nearly every churchyard in NW Europe and the British Isles—that is if the church was founded on a pre-existing pagan holy site, as so many were. Long before Christianity, the Yews were present and revered at all the old sacred sites where people gathered to worship. 

~

It’s the Western Yew (Taxus brevifolia) that grows in the forest here. It’s a conifer but instead of cones it produces red berry-like fruit. The bark is a smooth, deep rose-red with dark purple scales.
All parts of the tree are poisonous except for the flesh of the berries; although it is said that it was taken in ancient times for shamanic journeying. Today the potent breast cancer-fighting drug Taxol is derived from its bark.

The wood is extraordinarily dense, and indigenous peoples used it for tools, especially bows and staffs. I found two relatively straight fallen branches suitable for my walking sticks.

They are ancient ancestral wisdom keepers.

~~~

~Barbara Brown, from upcoming Volume II, SYLVAN REFLECTIONS, Wanderings, Paintings & Ponderings From the Forest

Fir, Soft and Thick

Fir, Soft and Thick

Oil on Canvas Board 18″ X 14″

‘Fir, Soft and Thick’

~

The healing of that greenness is palpable.
You can rest there within the depths of the green, and return refreshed.

Nuzzle into the lush verdancy.

~

The geometry of the oval brings to mind the feminine attributes of
softness and nurturing;
motherhood, protection and renewal.

Interior Douglas-fir (Pseudotsuga menziesii var. glauca)
can grow to 130 feet tall and live up to 400 years.
There is, as well, the Coastal Variety of Douglas-fir which is much longer-lived and larger.

First Nations peoples used the tree extensively:
ate the seeds, drank tea from new shoots and needles,
chewed the dry sap for treating colds, and
used the soft boughs for bedding.

Today it is one of the most sought-after woods for lumber.

~~~

~Barbara Brown, from upcoming Volume II, SYLVAN REFLECTIONS, Wanderings, Paintings & Ponderings From the Forest

Grand Sweeping Spiral

Grand Sweeping Spiral

Oil on Canvas Board 20″ X 16″

‘Grand Sweeping Spiral’

~

A vital part of my daily practice of walking in the forest is stopping,
and sitting in stillness for a spell.
I will usually close my eyes, open my other senses, and meditate for awhile.
Then, when I come out of the meditation, upon opening my eyes,
the world around me appears brand new, with a new beauty and clarity.
It’s me, my spirit, that has been cleansed and renewed,
giving the forest surrounding me a fresh sparkle through my eyes.
And often it is at this moment that I will notice a particularly beautiful sight
that calls out to be seen by others as well…
This painting arose from one of these occasions.
I opened my eyes to be struck by the grand sweeping boughs
of this Grand Fir as they spiral through time and space
~ up & up and around & around in a long slow graceful swirling dance
as the tree winds its way through the years of its lifetime.

~

Tree Time

I recently read ‘The Overstory’ by Richard Powers,
a remarkable novel, about trees, that blew my mind wide open over and over again.
As the blurb on the back cover says: “There is a world alongside ours
–vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us.
…the world of trees.”
It got me thinking about tree time.
We have a longing to communicate with the trees, and we have so much in common with them,
–both living, growing, procreating, dying; needing nourishment and a supportive environment,
and both upright vertical beings connecting Earth with Sky
– with the difference being largely in the respective timespans of our lives;
“they operate on a different scale of time”, their stories are told too slowly for us to hear.
“The chemistry of their roots and the perfumes their leaves pump out change when we’re near.
…When you feel good after a walk in the woods, it may be that certain species are bribing you.
So many wonder drugs have come from trees, and we haven’t yet scratched the surface of the offerings.
Trees have long been trying to reach us.
But they speak on frequencies too low for people to hear.” (my underscore);
and “…down in cool riparian corridors smelling of silt and decaying needles,
redwoods work a plan that will take a thousand years to realize.”

~~~

~Barbara Brown, from upcoming Volume II, SYLVAN REFLECTIONS, Wanderings, Paintings & Ponderings From the Forest